Mercutios queen mab speech in shakespeares romeo and juliet
Plus, he had a dream the night before that gave him a bad feeling about the party.
Queen mab speech drawing
Romeo refuses to engage in this banter, explaining that in a dream he learned that going to the feast was a bad idea. Yet the name holds a deeper meaning. I sink under this heavy burden of love. Just as Mercutio can see through words to other, usually debased meanings, he can also understand that the ideals held by those around him originate from less high-minded desires than anyone would care to admit. She is the fairies' midwife, and she comes In shape no bigger than an agate stone On the forefinger of an alderman, Drawn with a team of little atomies Over men's noses as they lie asleep; Her wagon spokes made of long spinners' legs, The cover, of the wings of grasshoppers; Her traces, of the smallest spider web; Her collars, of the moonshine's wat'ry beams; Her whip, of cricket's bone; the lash, of film; Her wagoner, a small grey-coated gnat, Not half so big as a round little worm Pricked from the lazy finger of a maid; Her chariot is an empty hazelnut, Made by the joiner squirrel or old grub, Time out o' mind the fairies' coachmakers. Sometimes she driveth o'er a soldier's neck, And then dreams he of cutting foreign throats, Of breaches, ambuscadoes, Spanish blades, Of healths five fathom deep; and then anon Drums in his ear, at which he starts and wakes, And being thus frighted, swears a prayer or two And sleeps again. Mercutio You would indeed burden love if you were to sink inside of it, which is too much for a tender little thing.
The heavy tone of this premonition is far more serious than the shallow melancholy Romeo has so far expressed. Mercutio then delivers his highly imaginative Queen Mab speech in which he describes how the fairy delivers dreams to humans as they sleep.
O, he is the courageous captain of compliments.
In Queen Mab, then, Mercutio creates a sort of conceptual pun: he alludes to a mythological tradition peopled with fairies and attaches it to a reference to prostitutes. Mercutio believes in neither.
I am weighed down with woe.
She is mentioned by several other writers from Michael Drayton in his mock-epic poem about fairies, Nymphidia, to Ben Jonson, Robert Herrick, John Milton, and later, the romantic poet, Shelley, in his major poem, Queen Mab.
based on 119 review